---Aaron Hill, dramatist and writer (1685-1750)

(139:0.3) Do not make the mistake of regarding the apostles as being altogether ignorant and unlearned. All of them, except the Alpheus twins, were graduates of the synagogue schools, having been thoroughly trained in the Hebrew scriptures and in much of the current knowledge of that day. Seven were graduates of the Capernaum synagogue schools, and there were no better Jewish schools in all Galilee.

(139:0.4) When your records refer to these messengers of the kingdom as being "ignorant and unlearned," it was intended to convey the idea that they were laymen, unlearned in the lore of the rabbis and untrained in the methods of rabbinical interpretation of the Scriptures. They were lacking in so-called higher education. In modern times they would certainly be considered uneducated, and in some circles of society even uncultured. One thing is certain: They had not all been put through the same rigid and stereotyped educational curriculum. From adolescence on they had enjoyed separate experiences of learning how to live.

     Aaron Hill (10 February 1685 – 8 February 1750) was an English dramatist and miscellaneous writer.
     The son of a country gentleman of Wiltshire, Hill was educated at Westminster School, and afterwards travelled in the East. He was the author of 17 plays, some of them, such as his versions of Voltaire's Zaire and Mérope, being adaptations. He also wrote poetry, which is of variable quality. Having written some satiric lines on Alexander Pope, he received in return a mention in The Dunciad, which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose Pamela he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful.
     Hill was the manager of the Theatre Royal, Drury Lane when he was 24 years old, and before being summarily fired for reasons unknown, he staged the premier of George Frideric Handel's Rinaldo, the first Italian opera designed for a London audience. The composer was very involved in the production, and Hill collaborated on the libretto, although it is disputed what his actual contributions were.
     A posthumous collection of Hill's essays, letters and poems was published in 1753. His Dramatic Works were published in 1760. His biography was recorded in Lives of the Poets of Great Britain and Ireland, to the Time of Dean Swift, volume 5 (ostensibly by Theophilus Cibber but generally accepted to be of anonymous authorship).